RockStation Vol. V: Horisont & Dead Lord & Cojones
Formed in 2006, Horisont have spent close to a decade kicking ass, taking names and establishing themselves at the forefront of the Scandinavian retro rock revival (see also Witchcraft, Graveyard etc), injecting their sound with early-Status Quo-styled boogie blues, prog complexities, NWOBHM swagger and fire-spitting choruses set to scorch the eyebrows of the first ten rows. This is music made without irony, unafraid to acknowledge an allegiance to past greats such as Deep Purple, Black Sabbath, Cactus, Thin Lizzy, the aforementioned Yes and Judas Priest.
Big of moustache and tight of trouser, Horistont drink from the bottomless wellspring of inspiration that’s been bubbling up through the layers of time since the birth of the blues – or Blue Oyster Cult at the very least.
Theirs is a sound that harks back to the dawn of the 70s, when a new clutch of heads decided it was time to harsh the 60s hippies’ mellow and paint it black; those years when the twin spirit of hard rock and prog rose to redefine sound.
In their earlier years Horisont looked and sounded like the last guys standing at the world’s wildest and darkest party; these are the tight bro’s who laced the punch, torched the dance-floor and rode off into the night on their roaring hogs in a puff of green smoke. “Put the five soldiers of Horisont in a time machine 50 years ahead of time and we would still rock the silver socks of any future man, woman or robot,” frontman Axel once declared.
This quintet’s rock trip might be retro but their songwriting is timeless; a good melody lives forever and Horisont have songs in abundance. New album Odyssey is exactly as its title suggests: an epic journey into the known. A sonic trip. A mighty voyage of sound. You could even call their fourth full release a concept album – although they themselves prefer “space saga”. Either way it’s a brave band who open their album with a ten minute-long track, yet on the album’s title track Horisont dive straight into the deep end, delivering space-rock with all the dexterity and deftness of the very best prog rock’s finest, such as early Yes or Kansas.
Swedish hard rockers Dead Lord were clearly born too late. Formed in 2012 in Stockholm, Sweden, members Hakim Krim (vocals/guitars), Olle Hedenström (guitars), Martin Nordin (bass) and Adam Lindmark (drums) are clearly more at home with 1976 (the year Thin Lizzy’s Jailbreak hit stores) than they are with 2017. As time machines don’t exist, however, the members are stuck in the present, where they decided to form the hardest working, hardest sounding rock band since The Hellacopters took off with Grande Rock at the turn of the millennium.
“It’s timeless, not retro,” Dead Lord’s Hakim Krim asserts. “Instead, it is pretty much all the modern rock bands that sound dated. I guess something happened during the ‘80s and onward. People had all sorts of recording tricks at hand, which led much music to sound very dated. Different effects and tricks are usually a lot of fun when they’re new, but tend to sound very dated after a decade or two. Not applying any of the modern mega compressors, expanders or other macky mack, make things sound more—I hate to use the word but here we go—true. More honest, I would say. Not retro. It just sounds more like the way it actually sounds live. The modern way of glazing everything in stupidity is not really what we’re after. Same way man buns are stupid, so is the modern rock sound.”
The name says it all. These foursome from Zagreb will crush you with their massive energetic pumped up desire to rage on stage and play louder. They mix driven heavy stoner sound into a lethal rock and roll explosion.
Things got started back in 2006 when four guys from Zagreb went to a rehearsal place to play stoner rock, downtuning their guitars and rocking away.
Einlass: 19:00 Uhr
Beginn: 20:00 Uhr
Tickets gibt es bei TixforGigs, Eventim oder an allen bekannten Vorverkaufsstellen (16,- zzgl. VVK-Gebühr).